Push musical boundaries by breaking conventional rules—explore noise, unconventional structures, extended techniques, and new sonic possibilities. Use prepared piano (objects on strings), circuit-bent toys, found sounds, voice manipulation, or digital glitching. Reject traditional harmony, melody, or rhythm in favor of texture, timbre, and space.
Study pioneers: John Cage (chance operations), Stockhausen (electronic manipulation), Meredith Monk (extended vocal techniques). Record anything—drag sticks on railings, process spoken word backwards, layer feedback. " and values innovation over accessibility. Freeing for creators tired of formulas. Audiences either love or hate it—polarization means you're doing something new.
No wrong answers, just exploration.